The Last Dogs of Winter is a documentary about Brian Ladoon who dedicated his life to saving the almost extinct breed of Canadian Eskimo dog, attracting controversy along the way due to his methods.
We had a chat with Kiwi director Costa Botes (Forgotten Silver, Struggle No More)…
FLICKS: Hello from Flicks. How are you doing?
BOTES: I’m feeling chilly, but mostly chilled.
What should people expect from The Last Dogs of Winter?
Not the usual kind of nature picture. It’s not Frozen Planet. It’s really a character story featuring the kind of passionately obsessive protagonist that I like.
What are you trying to convey with the film?
I’m trying to summon up the bittersweet feelings I have about the topic. Regret at the passing of things that should not be allowed to disappear?
The dogs in this film used to be much more than pets. They were an indispensable part of the culture of the people that bred them; but then they were abandoned, replaced by petrol power, and wiped out by disease, neglect, or culling. It’s more than a shame, it’s a disgrace for humanity that we treat our animal companions so badly. But the film is largely a celebration of passion and persistence, I hope mixed with a sense of awe, and a practical appreciation of daily life in a place that’s incredibly remote and harsh.
Most of all, I want audiences to feel inspired, and be reminded that every day is precious.
Could you share your strongest memory from filming?
The polar bears offered a daily adrenaline rush that never got tired. Trying to hold my camera still in freezing temperatures.
What drew you to Canada and this story?
A great character, a compelling theme, and a personal connection that gave me access.
Brian Ladoon (left) and Caleb Ross (right)
What thoughts about Aotearoa do Manitoba, and the people who live there, evoke?
We are very, very lucky we live in a temperate land.
If you could make a film about anyone living or dead who would it be?
Living: Jeff Beck. Dead: Richard Pearse. Working on it.
What was the last great film you saw?
Footnote. Bad title. A sublime, incredible film. Recommended it to 100 people. Not a soul went. I guess it’s all about the title.
What’s the best piece of advice you’ve ever been given?
Always try to have an intriguing title.
What are you thinking about doing next?
More films about passionate and persistent nut-jobs.
