White Lies

2013

95 mins

Directed by Dana Rotberg
100%
62%
Drama

New Zealand period drama based on the novella Medicine Woman by Witi Ihimaera, author of The Whale Rider. Stars Whirimako... More

New Zealand period drama based on the novella Medicine Woman by Witi Ihimaera, author of The Whale Rider. Stars Whirimako Black, Rachel House and Antonia Prebble.

Paraiti (Black) is the healer and midwife of her rural, tribal people. But new laws are in force prohibiting unlicensed healers. On a rare trip to the city, she is approached by Maraea (House), the servant of a wealthy woman, Rebecca (Prebble), who seeks her knowledge and assistance in order to hide a secret which will destroy Rebecca’s position in European settler society. If the secret is uncovered a life may be lost, but hiding it may also have fatal consequences, forcing a clash of beliefs, deception and ultimate salvation.

Less

Where to watch White Lies

White Lies is available to stream in New Zealand now... More on Apple TV Store and NZ Film On Demand and Academy On Demand and AroVision and Prime Video Store.

There is no screening information for this title.

White Lies | Ratings & Reviews

100_%6 reviews
Rotten Tomatoes® rating
62_%74 reviews
Audience score rating

"This atmospheric 1920s-set tale from Mexican writer-director Dana Rotberg (who made her home in New Zealand after seeing the 2002 adaptation of Witi Ihimaera’s Whale Rider) is essentially a chamber piece populated by three very good acting performances. Best known as a Maori recording artist, Whirimako Black is a revelation in her first film role, while Rachel House (Whale Rider) does the heavy emotional lifting and a porcelain and prim Antonia Prebble (TV’s The Blue Rose) does terse and tragic with equal aplomb."

—

Flicks

"White Lies is a bit of a tough watch thanks to poor pacing."

—

TVNZ

"But for Black's performance, for Ihimaera's well-wrought plotting, and for Alun Bollinger's wonderful cinematography, White Lies is still a very easy film to recommend."

—

Stuff

"The languorous pace comes close to dragging at times... There are also some jarringly implausible moments. Nonetheless, it's an impressive and memorable piece of work from our most prolific production house."

—