Matt Glasby

A look back at the most questionable legacy of 1976’s The Omen – the persistent idea that it was cursed.

If Road House were a band, it would be AC/DC; if it were a person, they’d wear sunglasses indoors.

Old blue eyes is back in this colossal-in-every-sense sequel.

Here’s what to watch – and watch out for – among March and April’s horror releases.

Everything the characters do, however mundane, takes on heavy significance due to the setting.

As new doco Dario Argento Panico grapples with Argento’s legacy, we attempt to do the same.

“It’s like a sauna. Furnace. You could fry an egg on my stomach. Oooooohhhhh”

Matt Glasby, author of The Book of Horror: The Anatomy of Fear in Film, looks back at another banner year for horror…

Make Xmas a little bit bleaker with these ace horrors that put a different spin on the season.

Ten not-to-be-missed shots of nightmare fuel that’ll mess you up next year.

You’ve got to hear Brosnan attack the role – dodgy accents and all – like it might be his last.

New pic seems to take place in an overheated B-movie universe where anything can happen.

High-risk sequels, found-footage winners, and new takes on Stephen King, Poe and Lovecraft.

Set in a miserable English backwater town, Shane Meadows’ 2004 micro-budget thriller remains devastating.

The release of The Nun II has us kneeling in praise of these crucifix-clutching classics.

From unholy orders to demons in a jar; gouge-your-eyes-out sequels to the ultimate wiener schnitzel.

For Robert De Niro, who would win his second Oscar for the role, it was a chance for total immersion.