The 20 best movies to watch on TVNZ+

Liam Maguren has combed through the extensive free-to-stream movie selection on TVNZ+ and pulled out some of the best to watch. We’ll update this post each month as films come and go.

UPDATED 9 DECEMBER 2024

Anatomy of a Fall

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It’s nigh impossible to bring something fresh to a genre as rigid as the criminal procedural, but writer-director Justine Triet’s Palme d’Or and Academy Award-winner managed just that. Sandra Hüller’s in top form as a woman accused of her husband’s murder—and the only witness to the incident is their blind son. Flashbacks are limited to the evidence presented, placing the audience right in the jury booth as witnesses to both the case and France’s confronting prosecution system.

As Flicks’ Rory Doherty wrote, the film “is as interested in the process of investigations as the crime being investigated,” with Luke Buckmaster adding how Triet “subverts the murder mystery and procedural genres by playing games with what we can and can’t see, what we know and don’t know, what we can reasonably deduce and what may lie forever beyond our ken.”

Coraline

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This daringly creepy kids film put stop-motion studio Laika on the map. Director Henry Selick’s (The Nightmare Before Christmas) take on the Neil Gaiman novel follows fed-up young Coraline who discovers a tunnel to a parallel mirror-verse where her parents appear to be absolutely perfect. But something’s a little bit off in this world, and it’s not just the whole everyone-has-buttons-for-eyes thing.

Fun fact: the film recently returned to NZ cinemas for its 15th anniversary where it managed to beat both Robert Zemeckis’ Here and the Sir Ian McKellen-led The Critic at the local weekend box office.

Corsage

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Having missed out on an Academy Award nomination for her performance in Paul Thomas Anderson’s Phantom Thread, the mighty Vicky Krieps came back with a vengeance five years later in this atypical costume drama. OK, she still didn’t get an Oscar nod, but she did nab Best Performance at Cannes.

Krieps plays Empress Elisabeth of Austria who, steering down the barrel of 40, primes herself for the onslaught of public judgement at being considered an old woman. In her review, an impressed Lillian Crawford labelled the film “a majestic blueprint for modern historical drama.”

Dredd

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Karl Urban is judge, jury and executioner in this beloved adaptation of the violent sci-fi comic. Set almost entirely in an overcrowded building complex, the story (penned by Alex Garland) follows Judge Dredd and a rookie cop (Olivia Thirlby) as they make their way up a 200-level slum in pursuit of a heavily-armed dealer of a time-altering drug named SLO-MO.

Determined to not waste a single minute of the viewer’s time, the film blasts through its future dystopia (and plenty of crims) with acerbic joy and violent glee. Unlike the unfavoured Stallone version, Urban made the honourable call never to take the helmet off. Is there any wonder that, a decade on, fans are still calling for Judge Urban to return?

Groundhog Day

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You’ve probably heard this one’s a stone-cold classic, but it’s always worth repeating. Bill Murray plays a huge asshole in the form of a weatherman who, for unknown reasons, keeps repeating the same day over and over again. Murray engulfs the role in this stone-cold classic, his increasing insanity snowballing to the film’s many comedic highs. A stone-cold classic, Groundhog Day went on to inspire the creation of an entire subgenre, numerous references in other films, and one maniac to watch the film every day for a year. A stone-cold classic.

A Hero

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A seemingly simple good deed from a man on temporary leave from prison blows up in his face in this Grand Prix Cannes award-winner from Asghar Farhadi—writer-director of Oscar-winners A Separation and The Salesman. Basic mistakes and errors in judgement widen astronomically when his supposedly genuine gesture comes under scrutiny, and any attempts to shut down accusations of fraud risks raising his chances of going back to the slammer.

It’s “tense, spiralling drama” Flicks’ Amanda Jane Robinson wrote in a review that also touched on the peculiar life-imitating-art aspect of the film—one that saw Farhadi in hot water over accusations of plagiarism.

Hunger

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Based on a true story, this tense BAFTA and Cannes-winning drama revolves around IRA member Bobby Sands and the hunger strike he leads in prison as a means of defying the British occupation of Northern Ireland. The film delivered two key breakout stars: the first is director Steve McQueen, who would go on to make Best Picture Oscar winner 12 Years a Slave; the second is two-time Oscar nominee Michael Fassbender, who lost a worrying amount of weight for this film (something he recently said he wouldn’t do again). The pair reunited for 2012’s incredibly good, incredibly uneasy Shame, which is also available on TVNZ+ if you dare.

Hunt for the Wilderpeople

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Taika Waititi’s smash hit needs no introduction, given how pivotal it was to his career ascension and the fact that it’s still the highest-grossing New Zealand movie ever (second only to his previous film Boy, also on TVNZ+). But to recap: the film adapts Barry Crump’s Wild Pork and Watercress with Julian Dennison as rebellious foster kid Ricky and Sam Neill as grumpy foster uncle Hec who find themselves on the run in the native bush after mistakenly being branded as outlaws. Also stars Rima Te Wiata as Ricky’s loving foster aunty Bella and Rachel House as a doggedly determined officer of the law with a hilarious sense of duty.

In My Father’s Den

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A decade and a half prior to his Succession success, Matthew Macfadyen led this excellent New Zealand crime mystery as a war photographer who returns to Otago only to become engulfed in the search for a missing teenage girl. As the case thickens, so do the past traumas that forced him to leave in the first place.

An adaptation of Maurice Gee’s novel, In My Father’s Den boasted supremely sophisticated storytelling that felt both refreshing upon release and a worthy addition to the Cinema of Unease, and remains one of Aotearoa’s strongest feature debuts. Tragically, writer-director Brad McGann passed away in 2007, making it his first and last feature film.

Labyrinth

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A young Jennifer Connelly and the timeless David Bowie star in this Jim Henson fantasy classic about a young girl (Connelly) who must enter a bewildering labyrinth to save her baby brother from the Goblin King (Bowie). A fabled pairing of puppetry and production prowess, this ’80s gem is unlike any family film you’re likely to see in this day and age.

Leave No Trace

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Local talent Thomasin McKenzie delivered a sensational breakout performance in this delicate father-daughter tale, holding her own alongside an equally powerful Ben Foster. The film follows the pair attempting to live off-grid in Oregon—a plan continuously foiled by authorities.

It’s one of the rare movies still rated 100% fresh on Rotten Tomatoes after 250+ reviews, with Flicks’ Steve Newall contributing to the score with his write-up. “Director Debra Granik keeps us spellbound by a duo geographically and emotionally isolated from society. As it irresistibly encourages the viewer to invest in its characters, Leave No Trace proves to be an example of the magic that can be conjured by a filmmaker and their actors.”

Locke

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Tom Hardy. In a car. For 82 minutes. That’s the eye-catching conceit of this minimalist thriller from filmmaker Steven Knight, who previously scored an Oscar nomination for writing Dirty Pretty Things. His suspenseful script here doesn’t rely on there’s-a-bomb-in-the-car gimmicks, but rather the slow squeeze of seeing a man on his (touch-free) phone calmly trying to keep his career and home life from obliterating over the course of the night. Tremendously tense all the way through, with a typically fine-tuned performance from Hardy.

Juno Temple in Magic Magic

Magic Magic

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A growingly anxious Juno Temple and a very creepy Michael Cera lead this uncompromising 2013 psychological horror from esoteric filmmaker Sebastián Silva. Temple plays Alice, a naïve tourist who joins her cousin for a getaway to Chile for what should be a chill time. However, having never been outside the US, the mix of unfamiliar surroundings and unusual strangers leads Alice down a potently paranoid path. If you think you’ve seen all that the ‘cabin in the woods’ genre has to offer, this one may surprise you.

Night of the Kings

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A nominee for Best Film at the Toronto and Venice film festivals, this ambitious hybrid of crime-thriller and fantasy centres on a young thief sent to a prison run by prisoners. If he hopes to survive the night, he must keep telling stories. He starts with a tale about a fellow criminal in the slum of Abidjan…

Filmmaker Philippe Lacôte made waves previously with his film Run, which became The Ivory Coast’s second-ever submission to the Academy Awards. Here, he made even greater splashes with a film beloved by critics. “An assured, energetic piece of epic filmmaking,” RogerEbert.com boasted. “Blends elements you’d think could never go together into a swirling, striking whole,” Boston Globe praised.

Silence

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Adapting the novel by Shûsaku Endô, Martin Scorsese’s ruminative 2016 historical drama stars Andrew Garfield and Adam Driver as Portuguese Catholic priests in the 17th Century who travel to Japan to spread The Lord’s word. During their propagation, they attempt to find their mentor (Liam Neeson), rumoured to have abandoned the religion.

Released three years after The Wolf of Wall Street, Scorsese’s faith-v-faith-based epic couldn’t have been more different. Slow, brooding, and boldly candid with the moral complexities of the story, Silence is the kind of work typical of a master craftsman freediving into a subject matter close to their soul, aided by some engulfing cinematography from Rodrigo Prieto (nominated for an Oscar here) and an outstanding turn from Tadanobu Asano (if smiles could kill, his would be the sharpest).

The Silence of the Lambs

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Dr. Hannibal Lecter, the cannibalistic creation of author Thomas Harris, became a pop cultural icon in director Jonathan Demme’s classic adaptation of the titular book. Brian Cox played the good doctor previously in Michael Mann’s superb Manhunter and you’ll hear nothing but love for Mads Mikkelsen’s disturbingly charming take on the professional people eater in Bryan Fuller’s excellent series Hannibal.

But neither men won an Oscar for the role, nor did they place the humble fava beans and a nice Chianti in the public consciousness. Those honours went to the mighty Anthony Hopkins, who did his part in making The Silence of the Lambs the third film to score The Big Five at the Academy Awards: Best Screenwriting, Best Director, Best Actor, Best Actress (for Jodie Foster), and Best Picture.

Smash Palace

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Four years after 1977’s groundbreaking Sleeping Dogs, Roger Donaldson cemented himself as a Kiwi filmmaking legend with this rugged piece of domestic drama that teeters towards full-blown thriller. Screen great Bruno Lawrence centres this disturbing snapshot of early ’80s Aotearoa as the owner of a junkyard undeterred by the growing frustrations of his wife, who feels like she’s been put in the corner. One point of tension stacks on top of another until it all boils over into a scenario that puts their daughter at severe risk.

Take Every Wave: The Life of Laird Hamilton

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There are a lot—a lot—of surf documentaries out there. Few are as engrossing as this one. Colossal as the waves it captures, Take Every Wave tells the humongous life story of surfer Laird Hamilton and the unlikely career he made riding the most monstrous of waves. Much more than a biography and surf doco, the film goes in-depth about the team effort involved in executing these stunts and the technological advances that came from the high-stakes hijinks of these adventurous beach bums.

The Terminator

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Laying down the path for one incredible action sequel (and a bunch of dud ones), James Cameron’s classic 1984 sci-fi stands on its own as a tight-fisted thriller. In a role that was meant to go to OJ Simpson (before they feared he was “too nice” ironically), Arnold Schwarzenegger became iconic as the killer robot from the future programmed to murder Sarah Conner (Linda Hamilton).

If you can cringe your way through the film’s zero-chemistry sex scene, there’s plenty to love here. One highlight in particular: the use of stop-motion at the film’s climax. It still looks so damn cool and unnervingly freaky.

Whale Rider

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Pretty much a staple in any cinema Aotearoa diet, Niki Caro’s adaptation of Witi Ihimaera’s book is a certified classic. There’s not a bung performance to be found but the biggest powers come from a young Keisha Castle-Hughes, Oscar-nominated for her role as Paikea, and the great Rawiri Paratene, Paikea’s grumpy koro who refuses to recognise her as the new chief. Hitting the heart hard before healing it whole, it’s a triumphant story of aroha overthrowing the patriarchy.