To Leslie

"Riseborough’s performance is nothing short of spectacular."

"It’s a terrible movie, and Riseborough is unremarkable in it."

"Riseborough makes a virtuoso display of the script’s gamut of screen clichés..."

"Searingly low-key..."

"To Leslie doesn't reinvent the wheel when it comes to alcoholic drama, but director Michael Morris... knows how to dig into these characters without relying on overt sentimentality. "

"(A) gripping character piece from director Michael Morris."

"The ending... does not entirely measure up to the standard of tough realism set in the rest of the drama, but what a great performance from Riseborough."

"It's more difficult to follow than it should be, but ultimately I'm glad I stuck with it."

"(Riseborough delivers) a performance worthy of acclaim..."

"It’s a story often told, but this movie tells it well..."

"Michael Morris' scattershot drama brilliantly casts the most chameleonic actress alive against a guy who can't help but play himself."

"The reliably exceptional Andrea Riseborough elevates an affecting portrait of the road to recovery that fails to tread new ground."

"Riseborough’s work is a classic case of a performance outshining the material with harsh, but thoughtful realism."

"To Leslie doesn’t pretend to have the answers for Leslie—or anyone, for that matter. It simply tells her story, with all of its ugliness and tedium."

"An impressive character portrait."

"(Riseborough delivers) a performance worthy of acclaim..."

"A brutally honest and exquisite portrayal of one woman’s desperate attempt to finally get it right."

"The cinematography by Larkin Seiple (Everything Everywhere All At Once) is a real feat of visual character development..."

"Andrea Riseborough is unmissable and unforgettable..."

"Andrea Riseborough is superb... in Michael Morris’s earnest feature debut."