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A heartwarming ode to a country determined to de-weaponise democracy on their own terms. The Monk and the Gun spun a story that stayed locked in my head, snuggled into my heart, and made me giggle throughout—all in equal measure. Read full article

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As bitter as it is sweet, Adam Elliot's darkly comedic delight spits at the foulness of the world while hugging the tender side of humanity. An irresistible charmer with a rugged sense of humour that is so very, wonderfully Australian.

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Intimate, informative, and impactful, Never Look Away sits comfortably in a stable of films that get into the minds of camerapeople drawn to subjects all-too-often safeguarded from wider society.

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Great television. Genuinely great. Forget ER; the more compelling and apt comparison is Martin Scorsese’s Bringing Out the Dead. I don’t say that lightly, nor this: The Pitt might be the best American drama series I’ve seen in years.

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Neatly sidesteps many of the horror-grief cliches and takes this weird little chiller to stranger—and much more fun—places. Bonus points for Hunter Schafer’s excellent lead performance and Dan Stevens’ pitch-perfect turn as a weird Euro guy.

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Aardman's dynamic duo deliver yet another joyful, laugh-packed load of top-shelf silliness. The story slyly comments on current AI fears but everything else stays true to what make Wallace and Gromit such enduring icons. 

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